Bo Gorcesky - Associated Content from Yahoo!

Showing posts with label John Carpenter. Show all posts
Showing posts with label John Carpenter. Show all posts

Monday, June 22, 2009

The top ten horror films to watch just prior to Halloween part 10: Halloween (1978 version) movie review

This is it folks, your wait is FINALLY over. We've come a long way to the top if you wanna rock n'roll, but we've all struggled on and have made it to this final film. Just prior to this, I've also listed my top 10 films that just couldn't make the cut. Two of them, Dawn of the Dead and Hellraiser were actually both in my original countdown when I wrote this for my school's magazine. But from my time of writing that paper to current, I'd become bearing witness to two other horror films unlike any other and needed to have the world opened up to them, (I also felt it wasn't fair to have two of Romero's films on the countdown) So I ended up putting Dead Alive and Re-Animator in their places. I also unfortunately felt that Hellraiser (as good of a horror film that it was) wasn't as quintessisential and important in the movement in horror as I've felt the other two were. So aside from that other posting of info, let's get to business shall we?

Well, here I promise you the true gritty details: I give you the facts, list the breast counts and how much buckets of blood are gonna come spurting on out at ya. As told in Joe Bob Briggs fashion, I get right to business (after listing a lot of bullshit or useless tidbits of information) but I want you, the little people, to really get the gist of these films the way they were intended. So for god's sake: Join up with Netflix, cause every lil rinky dinky Blockbuster video has capitolized and smothered out the lil mom and pop video rental stores to ever carry any of this stuff ever again. Some of them are rare gems, and some are commercialized. And some yet have so many cuts, versions and even remakes - you'll never really know which ones to get. SO my suggestion to you guys is either be lucky enough to bump into these films on your digital cabel/satelite provider - or just go out and buy these films. Some of them I bought just on a whim or from info I've read from the great sites like www.imdb.com or www.houseofhorrors.com I put out the money for them and never live to regret it.

If you just happen to stumble upon my countdown, you can either read my previous listings OR just read the following messages of the recent reviews that you have missed: 10)A Nightmare on Elm Street Part 3: The Dream Warriors 9)Friday the 13th Part 6: Jason Lives 8)Return of the Living Dead 7)Dead Alive (aka Brain Dead) 6)Re-Animator 5)Demons (aka Demoni) 4)Evil Dead 3) The Texas Chainsaw Massacre (original) 2)Night of the Living Dead (1968) and now for the final addition to my countdown.....

1)Halloween HALLOWEEN-1.JPG (12200 bytes)

1978, Directed and written by John Carpenter, also written by Debra Hill

HALLOWEEEN you say, Bo? How could Halloween be better than Night of the Living Dead. Well in all honestly, looking at them two different film wise, Night is the superior in style and landmarking achievement - but thinking about the time of the year "Halloween" there is nothing better than to set the mood than John Carpenter's landmarkish "slasher bith giving film" than Halloween. It' sgot pumpkins, a curse, dressing up, nudity, teenagers getting cut up, Jamie Lee running around with no bra on, Donald Pleasance acting crazy - the whole bunch. If my countdown would take place any otoher time of the year, I'm sure the numbers would be swithced at this instant. But, taking in all consideration that the actual holiday of Halloween is but a mere few days away, there's nothing more enjoyable than the slasher Myers chasing Jamie Lee and Dr. Loomis chasing Myers.

Most people would like to consider this film as the beginning of the whole slasher/body count film genre. Others like to consider that Alfred Hitchcock's Psycho would actually be the first slasher film, and other's even consider quite a few of Mario Bava's films such as Blood and Black Lace as being the first kinda body count films. But I for one like to see that John Carpenter took both his love of Psycho (from using the Sam Loomis character to how Myers swings a knife and incorporating the Italian style of horror of the gloved killer {such as in Dario Argento's earlier Giallo films}) and made a mixture of the two that became the slasher genre.

Not too many people realize that John Carpenter's masterpiece was the start of it all that moved us into the slasher/body count genre of the 80's. But he set the stage that Cunningham and crew used over and over again formulaically and systematically time and time again with the Friday the 13th series. Which I am a far bigger Jason fan over a Myers fan, but we gotta give credit where credit is due. With the devolpment of Friday the 13th then came the idea if you had a couple of teenagers, a camera and some woods - you could make a horror film. Then came more supernaturual twists to the slasher genre in the years to come with films like Nightmare on Elm Street, Hellraiser and Chucky. But, if not for the daring escapades that John Carpenter set forth with this film - we'd have nothing of the likes. I feel if not for Halloween, we'd still be seeing films concerned about demonic possession like The Omen, Rosemary's Baby or The Exorcist because they were the biggest sellers of the later 70's. The original golden age monsters that Universal provide us we're dying out with all of the remakes by Hammer Horror, society needed newer - bigger and mroe frightening boogeymen for a more modern day and age.

pumpkin.jpg (4921 bytes)With the coming of Myers, aside from Norman Bates in Psycho, we now not only are frightened of the killer, but you'll find people rooting on for the bad guy. Ever go to a slasher film in the theatres, more people are happy to see their serial killer hero slashing up their victims and giggling when they die so viciousily. Not often you'll find yourself screaming FOR the bad guy in appreciation instead of fear. And the same went for all of the other slashers that followed, and why there is so much merchandise from t-shirts to action figures that deal with these modern day monsters. It was far and fine time that we had some more monsters that we would appreciate, and it couldn't have been done without the cursed one known as Michael Myers.

Now before I get going with this film, let's talk about all of it's convoluded sequels. I'm not gonna get into the plots of much of them, but try and paint you a picture of their universes. Think of all of the films existining in the great Halloween universe, and certain films withint the series took different roads in it to make them connected. I can think of about 3 seperate timeliens within the series:

A) THe Lauire Strode timeline: This would involve Halloween 1,2, Halloween H:20 and Halloween 8 and probably soon to be 9. This one states that Laurie Strode went into hiding, and would eventually have a boy who "twenty years later" Michael would come for her to kill the blood line yet again. Which he does by part 8 so his purpose should end as well, instead it doesn't and yet they keep making his films

B)Halloween 3: A celtic group that makes masks that will on Halloween create devastation and evil blah blah. In this film, we actually see that the originally Halloween film is a movie withint this universe created by John Carpenter.

C)The Jamie Strode timeline: Occurs in Halloweens 4,5,6 - these films basically state that after Halloween 2 and before 4, the Jamie Lee character ended up having a child but died in a car crash with her then husband. Jamie survived, went up for adoption until Myers found out his blood line continued and he needed to kill his neice. These films wouldn't be antyhing wihtout Donald Pleasance (who was pretty muich tricked into returning for his role when notified that Carpenter would be reutnring). In four and five she's stilll a lil girl being hunted down, but by 6 she is abducted by this weird cult that would force Michale to fuck his neice and create a new evil. So now Myer's is a bitch of the cult, but Tommy (the boy who was babysat in the original film) ends up keeping that baby safe after Jamie is murdered. The cult comes after him and it's chaotic. The producer's cut of this film is awesome if you can find it - otherwise don't and when this film ends - they also end the concept of the creapish cult and by the next sequel return to the Laurie Strode timeline for H20.

The story- On Halloween in 1963, a young boy by the name of Michael Myers is spending a typical Halloween dressed up. He's awaiting for his older sister to probably go out with him for Halloween while she's getting ready. He sees her naked, grabs a huge ass kitchen knife and stabs her to death. There's really no motivation or wondering why hed did it - Michael just pretty much goes catatonic from that point on not talking to anyone just staring off into space.

Being that Michale is only six at the time, he couldn't be trialed as an adult - so he's locked up in Smith's Grove Warren County Sanitarium until he's 18. Dr. Sam Loomis (as played by the legendary Donald Pleasance) is his doctor and tries to get anyting out of him. But Loomis knows of the evil within Michael, he stared into his eyes ...."those black lifeless eyes" So Loomis warns everyone how evil that Meyers is, he needs to be either locked up or continued into a maximum security penitentary on his 18th birthday which is Halloween.

This brings us up to (then) present time, it's just about Halloween in 1978, and Michael is to be transfered to be trialed and for a more maximum security prison for killing his older sister those years ago. Only Loomis knows just how evil that Michael really is (and for those Halloween-philes from reading the comics, Michael murdered Loomis' wife years ago while he was in prison. Know one would ever think Michael did it because he'll just stare at the walls, and through the walls and beyond the walls back to his hometwon of Haddonfield, Illinois where he must extinguish his blood line that he just knows still do exist.

So Loomis and Nurse Marion are on their way to make sure Michael is transered, but he's able to escape. Which causes all of th eother nut jobs to run away but Michael hijacks a car and drives back home. Of course Loomis is pissed and knows where Michael is heading - so he's on the trail back to Haddonfield to head him off at the pass if you will, since in Carpenter's eyes - each one of his films is a Western. Along the way, Loomis is just on his trail and notices a mechanic is murdered and his truck is stolen along with the jumpsuit of the Mechanic. They find the car Michael stole from Smith's Grove and his medical scrubs. Loomis continues on to Haddonfield where Myers is already setting up camp.loomis-3.jpg (9238 bytes)

Cue in for nerdy lil Laurie Strode

laurie-1.jpg (8864 bytes)

(played by one of the earliest and greatest Scream Queen's Jamie Lee Curtis in one of her earliest roles). Well Laurie and her friends are all getting ready for the Halloween festivities, makign out and talking out boys (typically 70's girls talk) but Laurie is a good girl, and is a lil bashful but then focuses on how she has to babysit that night for some kids. Her friends all want to take advantage that parents won't be home where they can have pre-marriedal sex and do drugs blah blah.

Laurie and her friend Annie are walking from school, occassionaly stalked by a weirdo in a car, which Annie screams "Speed kills!" Lol, the girls later cruise around and smoke some pot where Annie bumps into her dad Sherrif Brackett who is investigating the fact that the local halloween store was broken into and someone just stole a mask and such - pay no heed to foreshadowing folks. The girls go about and continue getting ready for the night to get wasted or babysit or whatever.

In the mean time, Lynda and her boyfriend Bob are off to get laid

lynda-2.jpg (6248 bytes)

and have a few beers as the lights go down in Haddonfield. Myers is ready to strike as Loomis has entered town and meets up with Sherrif Brackett to join their forces to hunt down the killer known as Myers. Of course Brackett is a lil skeptical, but the two men are off to do some damage (the best is seeing the Sherrif's reaction when Loomis whips out his pistol and starts to do some damage) Oh, I have a permit.loomis-1.jpg (7459 bytes)

Well then comes in the formala that all slasher fans are all too familiar about. If your a teenager having sex or doing drugs you're gonna die. WHich is why I think Myers initially killed his older sister for when she had sex with her boyfriend and would make sensse that procreation to continue his bloodline is why they must die for it. The formula was re-used in the Friday the 13th films buecasue the camp counselors were too busy screwing than her watching lil Jason while he was drowning.

One by one Laurie's friends are dropping off and she can't reach them, murders come and murders go and Sherriff and Loomis are trying to stop all of the madness. Evenutally when Michael comes for Laurie everyone joins forces and Loomis must save the day. Who will survive the night, how many bullets can Michale take, how will the lil babysat children be affected by this night in the years to come - what is to come on Halloween, the night HE came home?

Things to look out for:michael-4.jpg (8198 bytes)

A gripping original score by director/composer John Carpenter with his digital creepy synthesizer beat. From this point on a tradiitional theme in all of Carpenter's film that go with all of his films like Big Trouble in Little China, Christine, Assault on Precint 13 and many others

Wire hanger Fu

Knitting Needle Fu

laurie-8.jpg (5303 bytes)

Bleedign eyes from the Myers mask

Willaim Shatner is frightening

Dont' hide in the closet

Unescapable death

Butter stains your clothes

Michael Myers enjoys killing dogs

Don't laugh at Michael in a cheesy blanket costume

Slasher POV in the clown mask

Omininous echoing of breathing in hte Myer's mask

For God's sake, look behind you when he pops up!@

laurie-3.jpg (6420 bytes)

Don't say: "I'll be right back"

Don't have sex unless your married

Don't smoke pot and drive around town when your dad is the Sheriff

Listen to Dr. Loomis when he warns you

Your dead friends and loved ones popping out and dropping all around you

Take notice when someone just randomnly steals a William Shatner mask from your local costume shop.

Memorable quotes:

[referring to a partially eaten dog]
Sheriff Leigh Brackett: A man wouldn't do that.
Dr. Sam Loomis: This isn't a man.

[after Michael falls off the balcony]
Laurie: Was that the boogeyman?
Dr. Sam Loomis: As a matter of fact... it was!

Dr. Sam Loomis: I met him, fifteen years ago. I was told there was nothing left. No reason, no conscience, no understanding; even the most rudimentary sense of life or death, good or evil, right or wrong. I met this six-year-old child, with this blank, pale, emotionless face and, the blackest eyes... the *devil's* eyes! I spent eight years trying to reach him, and then another seven trying to keep him locked up because I realized what was living behind that boy's eyes was purely and simply... *evil*!

Annie Brackett: [Michael Myers's car cruises by the girls walking home from school] Hey, jerk! SPEED KILLS!
[the car screeches to a halt]

Lynda: Now when we get inside, Annie will distract Lindsey and we go upstairs to the first bedroom on the right. Got it?
Bob: First I rip your clothes off...
Lynda: Don't rip my blouse, it's expensive you idiot!
Bob: Then I rip my clothes off, then I rip Lindsey's clothes off, yeah I think I got it.

Dr. Terence Wynn: Now, for God's sake, he can't even drive a car!
Dr. Sam Loomis: He was doing very well last night! Maybe someone around here gave him lessons

Sheriff Leigh Brackett: Well, it's going to take a lot more than fancy talk to keep me up all night crawling around these bushes.
Dr. Sam Loomis: I- I- I watched him for fifteen years, sitting in a room, staring at a wall, not seeing the wall, looking past the wall - looking at this night, inhumanly patient, waiting for some secret, silent alarm to trigger him off. Death has come to your little town, Sheriff. Now you can either ignore it, or you can help me to stop it.
Sheriff Leigh Brackett: More fancy talk.

Dr. Sam Loomis: [pulling his gun after being startled by a crash] You must think me a very sinister doctor... oh, I have a permit.
Sheriff Leigh Brackett: Seems to me you're just plain scared.
Dr. Sam Loomis: Yeah, yeah I am...

Dr. Sam Loomis: You've got to believe me, Officer, he is coming to Haddonfield... Because I know him - I'm his doctor! You must be ready for him... If you don't, it's your funeral!

Lynda: [exposing her breasts] See anything you like?

Dr. Sam Loomis: He came home!

Dr. Sam Loomis: You've fooled them, haven't you Michael? Well, you haven't fooled me.

Lindsey Wallace: I'm scared!
Laurie: There's nothing to be scared of, now get changed.
Tommy Doyle: Are you sure?
Laurie: Yes.
Tommy Doyle: How?
Laurie: I killed him...
Tommy Doyle: [shouts] But you can't kill the boogie man!

Worthless tidbits of info:

Even though the film takes place in Haddonfield Illinois (paritally based on co-writer/long time producer of John Carpenter's Debra Hill) all of the license plates have California on them due to the fact this was such a low budgeted film

The film was shot in 22 days, a remarkably fast effort

No one is clearly listed to have played Myers under the mask, legend has it - evne the director John Carpenter wore the mask for a few scenes

In Frankenstein fashion, Myers is referred to as The Shape, a shape of pure ominious and dark evil as only Loomis can refer to as.

Dario Argento had the gloved killer, Carpenter had the masked killer. It was from viewing a lot of Giallo films that Carpenter got some influence to make his film, and can be quoted about Dario's movies as "they don't make any sense, but he shows death so beautifully"

As noted earlier, Carpenter is also a huge fun of Psycho, one of the main characters in that film is Sam Loomis (the boyfriend of Nancy Curtis in the ffilm). Donald Pleasance character is named after him, and the daughter of the main woman murdered in the shower sequence of Psycho, is the very same Jamie Lee Curtis - the main heroine in this film. And also, the young Tommy Doyle's character's anem is from Hitchcock's Rear Window

The Michale Myers mask was actually a William Shatner mask spray painted white.

The film was shot in the spring in California but takes place in the Fall of Illionis. So the crew had to buy paper leaves and color them Autumn colors and reuse the same leaves over and over again for all of the scenes.

The kids are watching The Thing from Another World, Carpenter would eventually remaked that classic in just a few years with The Thing, too bad E.T made a friendly alien concept a lot better than one to reduplicate and kill you.

Michale Myers has no connection to the man to eventually don the Austin Powers syndrome. In fact, he's named after the international distributor who helped out so much for the European success of Carpenter's previous film in Assualt on Precinct 13.

Leigh Brackett from this film is named after the same screenwriter from Howard Hawk's Rio Bravo, the main inspiration to Assualt on Precinct 13

The film was orignally slated to be called the Babysitter Murders

There is a different cut of the film if you can find it - I actually own one for when the film was originally shown on ABC in the late 70's they needed extra scenes to fill up what gore was cut out (and nudity :( ) Certian cuts incorporate the stuff filmed on tv (such as the unmasked Michael staring at Laurie at the end of the film) and all of the original gore.



Final rudnwon of the film

Breasts seen: 2 pairs

Body count 5

Buckets of blood 3 out of 10- The gorey stuff occurs when a friend's corpse pops down or up outta no where.

Escape from New York - movie review

Escape From New York Movie Review

July 10, 2007

Written by James "Bo" Gorcesky

"Call Me Snake…."

Now, I know on average I am able to cover the most recent movie reviews—but what if I stood a chance of getting a new generation of movie goers to check out some of the finer pieces of cinema from yesteryear. Sometimes, that is one of the biggest thrills that I get, since to me, film is the highest form of the arts in our day and age—and what better way to expose the arts to others? I recently got to show my girlfriend the Fat Boys' film "Disorderlies" Image:Disorderlies movie poster.jpgand regardless on how shitty and ridiculous that film is—I was so pleased to see how much she appreciated the ridiculousness of that film. The same goes for all of the old pieces of shit that I exposed my brother Joey to as we were growing up—as I know how much the likes of Kurt Russell alone has affected his life. Those are the feelings and desire of artistic communication that I want to spread to the rest of the world.

Escape from New York is a classic "post-apocalyptic, constantly in pursuit film" (one of the earliest of the genre which predates the very awesome Mad Max series). It was directed in 1981 by John Carpenter and stars a great cast—but most importantly Kurt Russell (as Snake Plissken) and also features the likes of Ernest Borgnine, Lee Van Cleef, Donald Pleasence, Adrienne Barbeau, Harry Dean Stanton and Isaac Hayes. It is hard to just simply categorize this film into one genre—but most people by today's standards consider it a cult classic within the clichéd 80's films that feature a futuristic post-apocalyptic war. But from the outside, I see a Science fiction fantasy world that keeps you on the edge of your seat with 22 hours to go and counting. But if you want to see it through Carpenter's eyes—this is a Western.

John Carpenter has once been quoted by saying, "Every film that I make is essentially a Western." Somewhere along the line in U.S. culture, we have been able to turn the Western into our own form of ancient Mythology. We never had a chance to have an ancient society such as the Greeks or Egyptians, so we relied on an age of Western Expansion, where a lone hero would venture out into a land devoid of law and became the savior of the people. A hero, most typically clad in white, on a white stag with shimmering Colt revolvers at his side; normally combats some ruthlessness in the town and become the saving grace of all of the very charismatic and iconic towns people. It wasn't until Mel Brooks turned the genre on it's behind and gave it some great slapstick with Blazing Saddles, the genre has never been held in high regard since. Fortunately, Carpenter has made every film to be secretly a Western all unto itself.

In the future of 1988, the crime rate of the United States has risen to well above four hundred percent. To combat such crimes of the states, an United States Police Force is created in 1991. But there becomes waaaay too much of an over population of the prison systems at the time, so the government just decides to close off the island of Manhattan from the rest of the world. Huge walls and barricades surround the city, the rivers are patrolled and the bridges are covered in land mines. New prisoners are dropped off (possibly due to some of the slightest of crimes) and all they have are the walls of New York and the world they have created around them.

It is a dismal dystopian future, much unlike a peaceful and futuristic utopian world (such as one might see in the virtual reality world featured in The Matrix. ) One might be able to see a parallel to this future and our own, if the ever decreasing freedoms that will be enforced on us by the Patriot Act, overcrowded prison systems and the powers that be to control us aren't changed. Well, there I go rambling off again. Unfortunately I have seen way too many films from the 80's that love to showcase this like The Running Man, Blade Runner, Robocop and The Super Mario Brothers. But when we disregard these films as warning signs and precursors for epidemics that will take over our societies—you will end up with no more entertainment of the arts. You will be told what is good, bad or worthy to view.

Okay, I'm done now. Some might think that those days are done and through and over played of the whole evil government out to get you. In fact, it wasn't until such scandals as Watergate were made clear to people that we also wouldn't of had such a great reaction to Star Wars and it's then current angle of tyrannically ruling governments. When you end up giving up your freedoms or have a fool as the leader of your world is when the shit can really hit the fan. Why, look at how Donald Pleasance (who also plays the legendary Sam Loomis in the Halloween series) plays the President of the United States He is not brave, his Air Force One is EASILY taken over by a single revolutionary activist, he escapes with his orange egg shaped escape pod only to be EASILY captured, tortured and humiliated by The Duke of New York.

Who's the Duke? The Duke? The Duke of New York, A-Number-1, the Big Man, that's who! Nobody could play the smooth talking, pirate looking, Cadillac Fleetwood sedan drivin' with the fender-mounted chandeliers than Isaac Hayes. The Duke controls the whole city, and now he has the President (and most importantly a cassette tape that holds the secret of nuclear fusion that must be delivered to the world). The Duke's plan is to ransom off the President so that he can finally find peace and also Escape From New York and have a life of freedom beyond the fifty feet high barricades. Now the US government only has one shot and ONE MAN that can go in and out of a world where no man has ever escaped—Snake Plissken.

Snake Plissken —I heard that he was dead. At the start of the film, Snake is brought into the Staten Island Detention Center for a life sentence on robbing the US federal bank (pretty harsh right)? Plissken is one of most memorable anti-heroes (a hero that lacks redeeming or heroic qualities) in all of cinema. He is out for it for himself and finds the whole concept of going in to New York to save the concept as total bullshit. Police Commissioner Hauk (who is played by the legend of Spaghetti Westerns himself—Lee Van Cleef) attempts to strike a deal with Plissken. You go in, find the President, bring him out in less than 24 hours, and your're a free man. Plissken is constantly full of nothing BUT attitude, and it's not until Hauk tricks the man and secretly injects him with explosives that will go off in twenty-three hours. Now Plissken has no other choice than to save the President for his own survival.

Sounds simple right? Go in and get the President in a world where no one ever came back? One might see a similar story to this in Big Trouble In Little China again where Kurt goes into an environmental under insurmountable odds and comes out swinging. "May the wings of Liberty never lose a feather." So Snake ends up "gliding" into NYC, lands on top of The World Trade Center and uses a grappling hook (Batman style) as his parking brake. Snake travels down to the burnt up and wrecked streets of NYC and eventually comes across the loveable and cuddly Cabbie (Ernest Borgnine) as they watch a drag show in a dirty 'ol movie theater together

Cabbie is the middle man in all of the film. He connects us to the world of the jailed in Manhattan and is able to link Snake up to where he needs to go to get his answers. If anyone knows what happened to the President—it'd be the man called Brain (played by the legendary character actor Harry Dean Stanton.) If you are a current fan of the polygamist drama—Big Love—Harry is currently playing the evil and manipulative Prophet on the show. To coincide with Harry's Big Brains is his partner Maggie's Big Boobs (played by the sexy, sultry and curvaceous Adrienne Barbeau who was currently married to director John Carpenter—the lucky bastard.) Using his charm and threats with gun waving charisma, Snake gets the couple to lead him to the Duke and retrieve the President. Unfortunately, Snake is captured and forced to……

COMPETE IN A WRESTLING MATCH IN MADISON SQUARE GARDEN in Gladiatorial combat for the entertainment of the Cesar of the City—The Duke. Oh wait—you are saying this film is getting too ridiculous for you? Fear not true believers, the film ONLY gets better. In case you are wondering why the call him Snake is because he has this nasty looking Cobra tattoo on his torso and the tail ends below the belt (simmer down ladies and fellow Kurt-o-philes. Snake goes up against the wrestler known as Ox Baker, some of you might recall him from some Wrestling show of the 80's, but he is featured here in this photograph along another living legend, Greg "The Hammer & I rule Myrtle Beach with an Iron Elbow" Valentine. The contestants dish it out using baseball bats and garbage can lids, but it is in the end that those nails from a baseball bat are pierced through Ox's gut and the back of his head. A diversion that lasted long enough for Brain, Maggie and the crew to sneak the President out of the Duke's domain.

Within the last thirty minutes or so of the film, nearly the entire supporting cast is killed off. The crew ends up flying down the 69th Street bridge to avoid whatever land mines they can, unfortunately, they hit one and Cabbie dies. They continue to run on down the bridge until Brain lands on a land mine and dies, then last but not least, Maggie has a Mexican stand off against the Duke's chandelier swinging sedan and she gets run over. The President makes it over the wall and the Duke is hot on their tail. Finally, the President musters some guts and goes temporarily insane to unload a clip or two on the Duke. Snake makes it over the wall with the President's help and Snake receives his pardon as a free man. He gets the explosives dissolved in his body but it is Snake who has the last laugh on them all. He is able to secretly switch cassette tapes on the President with the one that was playing inside of Cabbie's vehicle. Snake walks away a free man and tears the film out of the cassette as the President stands live in front of a telecast—lost and befuddled.

The film stands as a landmark for the careers of many (especially Carpenter and Russell.) Russell, most importantly, was able to break his clean and wholesome image that he had been branded with from doing numerous Disney films. Carpenter was able to break the mold as a clichéd horror film director and was able to push the envelope of making a fun, cross-categorical, Western influenced, science fiction, explosive, action film that he would soon be able to apply a similar formula to The Thing, Big Trouble in Little China and They Live.

The film itself has gone off for some enormous cult status (as far as a John Carpenter films can have a cult following,) it had a sequel sixteen years later called Escape from LA and a remake has been announced in the Spring that is quoting that Gerard Butler (who played the Phantom in the recent Operatic version of the Phantom of the Opera.) There was also another rumored sequel a few years ago called Escape from Earth, but that steam probably turned into the fad of "remake a classic." Not to mention a comic book series called the Snake Plissken Chronicles in 2003 and a video game and anime influenced concept based on the Escape from Earth storyline. Unfortunately, due to not enough following and support for budgeting the game and animated film never surfaced—nor did a proposed Plissken television series.

ALSO if you are a Plissken fan, and a fan of video games, you might have played the games within the Metal Gear series. Hideo Kojima, the creator of the Metal Gear series, has said in an interview that the character designs for Solid Snake and Big Boss were based on Snake Plissken. In the second game Metal Gear Solid 2: Sons of Liberty, the character Snake uses the codename "Iroquois Pliskin" early in the game, as a reference to the character. Incidents in the first half of the game also cause him to be assumed dead by many, the mission of this game is also to rescue the president. In the gameMetal Gear Solid 3: Snake Eater, Naked Snake has an eye patch just like Plissken but on his right eye.

And how's about this?! If you have ever seen the animated series The Grim Adventures of Billy and Mandy– there is a reoccurring character called Hoss Delgado who is a combination of Snake Plissken and Ash from the Evil Dead series—BAD ASS!

And if you were lucky enough to catch the recent gorey horror fest of The Grindhouse, director Quentin Tarantino loved Russell's portrayal of Snake in the films. It was the reason why Kurt is seen in the Death Proof segment. He also has a scar where his Snake eye-patch would be and also holds a similar hair style in his earlier films. Too bad Russell plays a total wimp in The Grindhouse and ends up looking and screaming like a little girl at the end of the film:(

But, all in all, this is a very enjoyable Saturday matinee film where you can just relax from a hangover and watch the bad ass exploits of Snake as he has to rescue the President and come across some very colorful characters and RIDICULOUS moments in cinematic B movie history. If you are intrigued by this film, you should definitely catch it—as it is frequently on AMC. And if you like, search your local Wal-Mart in their bargain bins—I just bought a very sweet Collector's edition of the film that features a high quality digital transfer and even a deleted scene that lets you see a bit into Snake's past. I would also recommend to not waste your time with Escape from LA, although it does have Bruce Campbell as a sketchy ass psychotic plastic surgeon. And if you happen to come across enjoying Carpenter's work, I would also HEAVILY suggest you catch his other films with Kurt Russell and They Live with Rowdy Piper. Once you can get through all of those, start unwinding with some classic Westerns to understand the true creativity on the man behind the lens known as John Carpenter.